{"id":699,"date":"2025-08-26T12:02:33","date_gmt":"2025-08-26T10:02:33","guid":{"rendered":"https:\/\/prokop.fr\/?page_id=699"},"modified":"2025-09-02T17:08:39","modified_gmt":"2025-09-02T15:08:39","slug":"elementor-699","status":"publish","type":"page","link":"https:\/\/prokop.fr\/index.php\/elementor-699\/","title":{"rendered":"Textes"},"content":{"rendered":"\t\t
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TEXTES
& traductions<\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00ab\u00a0Avec l\u2019\u00e9l\u00e9gance de l\u2019authenticit\u00e9, la silhouette de Prokop incarne la musique qu\u2019elle charrie. Ainsi, pour accompagner les mots qu\u2019il pose dans la conversation, ses gestes s\u2019accordent-ils naturellement au rythme int\u00e9rieur, vif ou contemplatif, qui traverse ses chansons. Des mots qui s\u2019ancrent au plus pr\u00e8s des pens\u00e9es qui traversent son regard, d\u00e9clinant au fil des phrases la sinc\u00e9rit\u00e9 qui signe un songwriting soign\u00e9 et intimement kal\u00e9idoscopique \u2013 quitte \u00e0 sauter d\u2019une langue \u00e0 l\u2019autre pour passer de la spontan\u00e9it\u00e9 \u00e0 l\u2019\u00e9criture. On songe qu\u2019il est d\u2019ailleurs probable que l\u2019instant partag\u00e9 nourrisse les pages manuscrites du r\u00e9cit que son r\u00e9pertoire fragmente \u00e0 travers cette g\u00e9n\u00e9reuse s\u00e9rie de quasi-nouvelles \u00e0 chanter.\u00a0\u00bb<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0 Folksinger! (a Gin&Tonic Story)<\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Lonely Wolf<\/p>

(The Ballad of) Buddy Kid<\/p>

Down in the Drain<\/p>

The Ballad of an Everlasting Love<\/p>

Night Trumpets Dancing Dreams<\/p>

Jenny<\/p>

Thoughts on Edward L. Bernays’ Communication Techniques<\/p>

Tom Joad<\/p>

Drag the Devil in the Mud<\/p>

The Butcher’s Dead End<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0 Love Letters from across the Street<\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Never Say Goodbye<\/p>

Rust on the Dew<\/p>

Raw-Boned-Dog Blues<\/p>

She Died of Love<\/p>

Le D\u00e9part de Lyon<\/p>

Under the Bridge<\/p>

The Call of Lorelei<\/p>

The Waiting<\/p>

Whisky & Tattoo<\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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If I Make It<\/p>

Old Joe<\/p>

P\u00e9rissac Rag<\/p>

Time Keeps Flying on<\/p>

Burdens to Let Go<\/p>

Colorado<\/p>

From a Friend to Another<\/p>

Some of these Nights<\/p>

Lucille<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Airport Blues<\/p>

Some of these Days<\/p>

Candy Box<\/p>

Love Letter<\/p>

Dead Man’s Quest<\/p>

Black Coffee & Whiskey<\/p>

Cleveland Way<\/p>

Wind of Boredom<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0 Singles<\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00a0<\/p>

Beirut in the Air (a City Levitating)<\/p>

Train is Coming<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

TEXTES& traductions \u00a0 \u00ab\u00a0Avec l\u2019\u00e9l\u00e9gance de l\u2019authenticit\u00e9, la silhouette de Prokop incarne la musique qu\u2019elle charrie. Ainsi, pour accompagner les mots qu\u2019il pose dans la conversation, ses gestes s\u2019accordent-ils naturellement au rythme int\u00e9rieur, vif ou contemplatif, qui traverse ses chansons. Des mots qui s\u2019ancrent au plus pr\u00e8s des pens\u00e9es qui traversent son regard, d\u00e9clinant au […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mi_skip_tracking":false,"footnotes":""},"class_list":["post-699","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/prokop.fr\/index.php\/wp-json\/wp\/v2\/pages\/699","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/prokop.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/prokop.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/prokop.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/prokop.fr\/index.php\/wp-json\/wp\/v2\/comments?post=699"}],"version-history":[{"count":34,"href":"https:\/\/prokop.fr\/index.php\/wp-json\/wp\/v2\/pages\/699\/revisions"}],"predecessor-version":[{"id":855,"href":"https:\/\/prokop.fr\/index.php\/wp-json\/wp\/v2\/pages\/699\/revisions\/855"}],"wp:attachment":[{"href":"https:\/\/prokop.fr\/index.php\/wp-json\/wp\/v2\/media?parent=699"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}